Mohammad Badrudduja
As the festive season approaches, the age-old art of paper mache—a hallmark of Kashmiri heritage—finds a dedicated custodian in Maqbool Jan, a renowned artisan from Srinagar. With unwavering passion and an eye for intricate detail, Jan devotes his entire year to crafting exquisite pieces of art, blending tradition with innovation. His creations, which have graced both local and international markets, embody not only a means of livelihood but also a deep-seated commitment to preserving a centuries-old tradition.
This year, as demand for paper mache surges domestically and internationally, Jan feels optimistic about the future of this craft. “Paper mache is not just a craft; it’s a part of our identity,” Jan says. “I often work late into the night or skip meals to perfect my designs. It’s my passion and responsibility to keep this art alive.”
A Labor of Love
Paper mache, or kar-e-kalamdani, as it is locally known, is a painstakingly intricate craft that involves transforming pulp into beautiful, hand-painted artifacts. The process begins with creating a base from recycled paper pulp, which is molded into shapes, dried, and coated with layers of adhesive and tissue paper. Once the structure is ready, artists like Jan bring the piece to life with delicate floral, geometric, and traditional motifs using vibrant, natural pigments.
Each piece is a labor of love, requiring weeks or even months to complete. For artisans like Jan, it’s not just about making a product—it’s about telling a story. His dedication often means long hours, sleepless nights, and sacrifices that go unnoticed by many. Yet, for Jan, the satisfaction of creating a piece that resonates with the essence of Kashmir’s rich cultural legacy is reward enough.
Preserving a Dying Tradition
For Maqbool Jan, paper mache is more than a profession—it is a legacy. This craft, which has its origins in 14th-century Persia and was brought to Kashmir by Persian artisans, has been passed down through generations in his family. However, despite its cultural significance, the art form is under threat due to the rise of mass-produced alternatives and a dwindling interest among the younger generation.
“Every piece I create is a tribute to my ancestors and our shared heritage,” says Jan. “It saddens me to see how this craft is losing its appeal among the youth. Many prefer to pursue other careers, leaving this tradition at risk of disappearing.”
Jan’s efforts to preserve this dying art extend beyond his workshop. He frequently participates in exhibitions and workshops, both within India and abroad, to showcase the uniqueness of Kashmiri paper mache. By doing so, he hopes to inspire young artisans and rekindle interest in this intricate craft.
Challenges in Modern Times
Despite his unwavering dedication, Jan acknowledges the challenges that come with sustaining such a labor-intensive craft in modern times. The influx of cheap, machine-made products has drastically affected the market for authentic handmade paper mache. Additionally, the lack of government support, fluctuating demand, and rising material costs have made it increasingly difficult for artisans to make a sustainable living.
“People don’t realize the amount of effort that goes into making each piece,” Jan laments. “The market is flooded with imitations that are sold at lower prices, making it hard for us to compete. We need more support, both from the government and consumers, to ensure that this craft survives.”
A Beacon of Hope
Despite the hurdles, Jan remains optimistic about the future of paper mache. He believes that with the right support and exposure, this traditional craft can thrive in both domestic and international markets. His work has already gained recognition in countries like the United States, the United Kingdom, and the Middle East, where there is a growing appreciation for handmade, sustainable art forms.
Jan’s commitment to quality and authenticity sets him apart. Each of his creations carries the essence of Kashmir’s cultural identity, making them cherished possessions for art lovers worldwide. “When someone buys a piece of paper mache, they’re not just buying an artifact—they’re taking home a piece of Kashmir’s soul,” he says.
Looking Ahead
As he prepares for the upcoming festive season, Maqbool Jan is filled with hope and determination. He envisions a future where Kashmiri paper mache regains its rightful place in the world of art and craftsmanship. To achieve this, he believes in the power of storytelling—sharing the history, process, and significance of paper mache with a global audience.
“My dream is to see Kashmiri paper mache recognized as a world-class art form,” Jan says. “It’s not just about preserving a tradition; it’s about celebrating our identity and sharing it with the world.”
Through his dedication and artistry, Maqbool Jan continues to be a beacon of hope for Kashmiri paper mache. His work serves as a reminder of the importance of preserving cultural heritage in an ever-changing world. As long as artisans like Jan remain steadfast in their efforts, the legacy of Kashmir’s paper mache will endure, inspiring generations to come.
(Note:The author is working for the multinational company as Manger Administration you can reach him via badr786@gmail.com)
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Maqbool Jan, a renowned artist from Srinagar, is dedicated to preserving Kashmir’s centuries-old paper mache tradition. With meticulous craftsmanship and a deep passion for his art, Jan creates exquisite, hand-painted pieces that reflect the cultural identity of Kashmir. Despite facing challenges like mass production and dwindling interest among the youth, Jan remains committed to keeping the craft alive. Through exhibitions and workshops, he aims to revive interest in this delicate art form, ensuring that Kashmir’s paper mache legacy continues to thrive both locally and internationally.
